Month 1: Writing Lab

Led by Menahem Haike

Writers develop new material drawn from their lives, environments, and one-on-one interviews with actors through a series of structured exercises designed to create a shared theatrical language. The lab emphasizes how time, space, dialogue, and environment operate within theatrical worlds. Directors observe the process to understand each writer’s voice, logic, and approach to making work.

Through collective discussion, reading, and experimentation, participants investigate how dialogue constructs entire worlds, how theatrical time functions independently of real time, and how the stage itself shapes character and meaning. Writing is treated as an exploratory practice, a space for formal play, reversal, and risk. Actors read new material aloud throughout the process, allowing writers to test language, rhythm, and structure in the room.

By the third week, each writer completes a first draft of a 20-minute piece. In the fourth week, writers revise toward a second draft based on in-room readings and feedback, resulting in a complete script ready for rehearsal.

4 sessions, 4 hours each

Month 2: Acting Lab

Led by Marcel Simoneau

The Acting Lab centers on the actor’s process as both an interpretive and generative force within new work. Grounded in Method-based training and professional practice, the lab focuses on existing truthfully within the given circumstances of each scene, building character from impulse and behavior, and bringing the actor’s own palette into the story.

Actors engage deeply with the newly written material through sensory work, emotional access, character development, and improvisation within circumstance. Exercises are used to reveal subtext, clarify intention, and uncover how language lives in the body. Improvisation serves as a tool to test the text, illuminating what is active, what resists, and where the writing invites deeper specificity.

Writers attend all sessions and revise in response to discoveries made in the room. Directors observe the work closely, taking notes and learning how to communicate with actors, support performance choices, and integrate actor-driven discoveries into the development of the piece.

4 sessions, 4 hours each

Month 3: Directing Lab

Led by Directing Mentors (to be announced)

In the final month, directors take the lead in staging and integrating material developed during the first two months. Directors work independently between sessions, rehearsing with actors and developing a clear approach to staging, rhythm, pacing, and the relationship between text and environment.

In-class sessions are led by directing mentors and focus on exposing directors to a range of directing techniques and exercises. Directors present their work with actors in the room and receive feedback on process, communication, and theatrical choices. Mentors offer notes on how directors guide performers, shape space and time, and translate conceptual and emotional discoveries into clear, playable action.

Writers remain present in the room, refining final scripts in response to staging and performance. The lab supports directors in developing a rigorous, collaborative process for working with living text and actors.

4 sessions, 4 hours each

*The lab functions as a shared process, writers, actors, and directors attend all sessions.

Showcase

The lab concludes with a public showcase of works-in-progress, presented with minimal technical support.

March-May

In this three month workshop, each month focuses on one discipline — writing, acting, or directing — through guided weekly sessions and independent creative development.

Weekly Sessions:
Participants meet every Saturday or Sunday for four-hour mentor-led workshops. Each discipline runs for four consecutive weeks, with six days between sessions to write, rehearse, and develop work independently. The weekly rhythm supports both depth and sustained momentum.

Independent Work:
Between sessions, participants are expected to complete assigned independent work, especially during the writing phase, including drafting new material, rehearsing discoveries, and integrating mentor and peer feedback. The emphasis is on exploration, responsiveness, and cross-disciplinary growth.

Rehearsal Period:
In the final month, each of the five creative teams is allotted dedicated rehearsal time to independently refine their 20-minute piece.

Performance Phase (June 2025):
The lab culminates in a performance showcase , experienced by both invited industry guests and the public.

Writing Workshop Mentor: Menahem Haike
Menahem Haike is a writer and dramaturg who has taught creative writing workshops across mixed genres at New York University and in Montreal. He holds an MFA in Creative Writing from NYU and a B.A. in Written Arts from Bard College. His prose has been published in Two Thirds North and Verklempt Magazine. His dramaturgy work includes a stage adaptation of Beckett’s Malone Dies in Manhattan, a contemporary production of Jean Genet’s The Maids in Brooklyn, and ongoing involvement in devised theatre practices in New York and abroad.

Acting Workshop Mentor: Marcel Simoneau
Marcel Simoneau is a New York City–based actor with extensive experience across television, film, voice-over, and music. His television credits include Gotham, God Friended Me, Unbreakable Kimmy Schmidt, Fringe, Law & Order (including the recent reboot), The Blacklist, The Daily Show with Leslie Jones, and Strangers with Candy. His film work includes Nick & Norah’s Infinite Playlist, Kinsey, The Rebound, Imperialists Are Still Alive, and The Pirates of Somalia.

Marcel has performed voice-over work for major commercial and narrative projects including Budweiser, GoDaddy, Chloé, The Queen’s Gambit, The Marvelous Mrs. Maisel, Emily in Paris, Mythic Quest, Halston, NCIS: Tony & Ziva, and Stillwater, among many others. His former band, Hot Seconds, has appeared on soundtracks for shows including The Big Bang Theory, Shameless, Gossip Girl, and The Office. He currently performs music under the name Potterfield.

He trained at the Lee Strasberg Theatre Institute, NYU, Columbia University, and the Maggie Flanigan Studio. He currently teaches Method Acting at the Lee Strasberg Theatre Institute and at New York University.

Directing Workshop Mentors
To be announced.

Participants will:

• Develop an original short work from concept to production.

• Experience cross-disciplinary collaboration with mentorship in all three crafts.

• Present work before a live audience and invited industry guests.

• Join an ongoing creative community of multidisciplinary theatre artists.
  

Fee: $1,350 total per participant for early registration.
Standard tuition of $1,500 applies as of January 1, 2026.
Fees include full access to all sessions, mentorship, and facilitated access to rehearsal space, in addition to final performances.

*Payment plans available. The first month’s payment is due upon acceptance. Remaining payments are due monthly, beginning March 1 2026.

All sessions are in person and take place at the Clemente Center in Manhattan’s Lower East Side.

A collaboration between RJ Theatre Co. and The Actor Launchpad, dedicated to raw, immediate, and necessary storytelling that centers the actor–audience relationship.
The Lab cultivates the next generation of theatre makers who lead with empathy, rigor, and collaboration — artists fluent in more than one language of creation.

Applications are reviewed on a rolling basis. Selected applicants will be contacted to schedule an interview or audition, depending on discipline.

Admission is selective and based on artistic readiness, curiosity, and commitment to a collaborative, cross-disciplinary process. Early application is encouraged due to limited availability.